Disclaimer: This book was sent to me by the publisher, Flat Iron Books, via Netgalley for an honest review.
Genre: YA/Fantasy
Plot: In The Night Country, Alice Proserpine dives back into a menacing, mesmerizing world of dark fairy tales and hidden doors. Follow her and Ellery Finch as they learn The Hazel Wood was just the beginning, and that worlds die not with a whimper, but a bang.
With Finch’s help, Alice escaped the Hinterland and her reclusive grandmother’s dark legacy. Now she and the rest of the dregs of the fairy tale world have washed up in New York City, where Alice is trying to make a new, unmagical life. But something is stalking the Hinterland’s survivors―and she suspects their deaths may have a darker purpose. Meanwhile, in the winking out world of the Hinterland, Finch seeks his own adventure, and―if he can find it―a way back home…
Opinion:
“‘You still think you live in a world where girls will lie down for you and show you their throats.’”
“‘Now lie down, and show me your throat.’”
After escaping The Hinterland and her story, Alice is back in New York with her mother, just trying to make a new life for herself away from the magic and fairy tales. But after time paces, Alice finds herself drawn back to the ex-stories of The Hinterland as random murders begin targeting those who have escaped. With no explanation as to why, Alice tries to hunt down the culprit. While worlds away, Finch is in the Hinterland and it is tearing itself apart. With so many stories leaving, black spots and wastelands begin consuming what is left of the magical and eerie world. As he looks for a way out, and possibly a way back to his world, Alice and Finch’s paths come closer and closer together to crossing again.
Little mouse
Scratch scratch
Hasten to your home
Lock and latch, do up the catch
And pray that you’re alone
Little spider
Twitch twitch
Run to steal the gate
Weave and sew, stitch stitch
Pray it’s not too late.
Alice is back, and things are as creepy as ever.
So it has been two years since Alice returned to the human world (is that what it’s called?) and she has turned her life into one of productive normalcy. She spends time with her mother Ella, works at a quirky bookstore and hangs out with her best friend Sophia. Well, technically Sophia is Hinterland and had that whole fun tale about stalking Death (you go, girl) but you get the idea-Alice has turned a new leaf. Gone is the angry, murderous, black-eyed frost princess! Or…so we think.
“‘Look at me,’ I told him. ‘Look at your destruction.’”
In this installment, Alice is having difficulty completely forsaking her Hinterland side. As much as she wishes to leave that side of her life in the past, for her sake and Ella’s’, Hinterland seems to seek her out wherever she goes. Suddenly random murders begin happening, with each victim having a limb missing from their bodies. A left hand, a right hand, left foot, right foot, eyes. Oh yeah. Super fluffy stuff, huh? But what makes everything ten times worse, is that the killings begin to resemble traits from Alice’s old abilities of frost.
Dun Dun Dun.
Alice is a bit more tame in The Night Country, but we get to see some of her old side spark back to life as well. I’m not going to lie, I do miss the old sassy and fairly angry Alice who wanted to scratch everyone’s eyes out, but this version is nice…if you like that “tame and reformed” type of thing. Basically the entire book follows Alice as she struggles with her identity and tries not to get killed. Sinister creatures from Hinterland now run rampant through New York, toying with humans and going unseen. But no matter what Alice does, she can never escape Hinterland. Because she IS Hinterland.
Though there are Hinterland creatures where Alice is, we really don’t get to witness a lot of the magical and strange imagination that comes from that world. Thankfully, the story flips over to Finch and we get to partake in his world jumping. As Hinterland starts to crumble, and people begin to panic to find a way out, Finch meets a traveler who promises to help him get back to his world after they do a bit of world jumping. He agrees, and THIS is where we really get to see the creative side of this author again.
“There were patches of sky where the stars moved like living fireworks, creeks where girls with corpse-colored skin and dirty hair sang like bullfrogs and watched him through hungry eyes.”
I am still so impressed with how the author comes up with tales within a tale, and ties everything together so flawlessly. It is so much fun picturing these worlds and strange creatures in my mind. A place of huge walls of books that contain thousands of stories, and gadgets like a pen that sends messages right to the desired recipient or a mirror that would show you what your true love was looking at. The world building through each door is so creative and wondrous, and all I want is to see these stories come to life in movies!
Without giving too much away, I’d have to say this was a very enjoyable sequel to The Hazel Wood. Though Urban Fantasy isn’t really my thing, which is more what this book falls under, I found it to be a great story but not as addicting as the first book. Don’t get me wrong though, it was full of eerie and creepy happenings and I was loving the dark atmosphere that New York found itself in. It was twisted and murderous, which I love. But, I still think The Hazel Wood was my favorite of the two because it was like diving straight into a fairy tale.
I’ll leave you with this gem:
“I’d opened my eyes and found Finch standing in front of me, looking at me like I was a door, too.
The kind he wanted to walk through.”
jenacidebybibliophile 