Book Reviews

Book Review: The Ghost Tree by Christina Henry

Disclaimer: This book was sent to me by the publisher, Berkley – Penguin Random House,  via Netgalley for an honest review.

Genre: YA/Horror/Mystery/Fantasy

Plot: When people go missing in the sleepy town of Smith’s Hollow, the only clue to their fate comes when a teenager starts having terrifying visions, in a chilling horror novel from national bestselling author Christina Henry.

When the bodies of two girls are found torn apart in the town of Smiths Hollow, Lauren is surprised, but she also expects that the police won’t find the killer. After all, the year before her father’s body was found with his heart missing, and since then everyone has moved on. Even her best friend, Miranda, has become more interested in boys than in spending time at the old ghost tree, the way they used to when they were kids.

So when Lauren has a vision of a monster dragging the remains of the girls through the woods, she knows she can’t just do nothing. Not like the rest of her town. But as she draws closer to answers, she realizes that the foundation of her seemingly normal town might be rotten at the center. And that if nobody else stands for the missing, she will.

Opinion:

 

“It’s Mrs. Schneider. She won’t stop screaming. There’s so much blood.”

“Help me.”

“Find them. All the girls, girls like us. Find them.”

“We aren’t the only ones.”

Mood1

Set in the mid 80’s in a small and seemingly perfect town, Smiths Hollow is far from a dreamland. Each year a girl is taken, killed and found dismembered in the woods. What would surely cause most residents and towns to rise up in anger and cry in fury, the people of Smiths Hollow do none of that. Somehow, these yearly horrors slip from their minds. Friends are forgotten. Sisters are no longer thought about. Daughters begin to be erased from existence. But Lauren can’t seem to forget. Not after her father was found with his heart ripped out one year prior, and the police refuse to do anything about it. But when the bodies of two girls are found in an elderly woman’s backyard, Lauren takes it upon herself to find the truth. Because something is happening in Smiths Hollow…and something is happening to Lauren.

“Meet me by the old ghost tree.”

The Ghost Tree is Sleepy Hollow on murdery crack, and there is truly nothing better.

As we all know, Christina Henry is the Queen of bloodbaths.

She is the High Priestess of YA Horror, the Goddess of fairy-tales gone dark, and the Villainous Hero of atmospheric tales of all that is sinister and poetic.

This book was everything my dark little soul has been craving! I felt transported to a town that feels jarring, creepy, strange and off, while also seeming vibrant, homey and alluring. It being set in the 80’s gave it the perfect vintage creepiness that one would find in Halloween, and an innocent yet rough depiction of teenage femininity that mirrors Carrie. It leaves you sweating in shivers and wanting to enter the trees. You can almost smell the iron scent coating dried leaves, or hear the warnings on the wind.

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It is truly the perfect Autumn horror.

“There’s something wrong here.”

“There is something wrong with this town…”

Smiths Hollow is almost like any other town. A small town where everyone knows everyone, you shop at the small grocery store in town, gossip with neighbors, and seemingly forget that girls are dying left and right.

You know, normal.

The story is told in many different perspectives of various residents of the town, each giving a different form of insight into what is really happening in the shadows. At first, I was so confused with the memory aspect of this story. Because in some ways the characters seemed to realize girls were being killed and could remember, but in every other situation…it was as if they didn’t. This type of mystery lends a hand to the truly bizarre and disorienting tale that this book is, and allows the reader to feel completely in the dark for most of the book. Just like the MC, Lauren.

“I don’t want to be alone. Please don’t leave me alone.”

Though this is told through many different eyes, Lauren is the main focus and who we find to be the most reliable narrator. Though only fourteen, she is a fairly mature and levelheaded young girl who seems to really know who she is (I give credit to the era she grows up in). Our story starts with Lauren meeting her best friend Miranda by the Ghost Tree in the woods, a place that scares most residents of Smiths Hollow, but also a place the girls have gone to since they were small. Lauren feels comfort and peace when she is in the woods, which is surprising given all that’s…happened…

Lauren is a little more on the quiet side and very methodical. She harbors deep pain from the gruesome and brutal death that her father suffered a year before, and deep confusion as to why so many have brushed it aside. Not only have the police done nothing to investigate his murder, but even her mother seems to harbor ill-will and resentment towards her late husband.

“You’d think they’d remember a man who’d been found with his heart torn out more clearly.”

But as the story goes on, and the murders of two new girls seem to again be brushed under the rug, Lauren can’t help but yearn for answers. Especially when a violent vision of the girls being killed attacks her one day in the woods.

“There was something inside her brain trying to get out, something with a chainsaw howling, but the howling wasn’t pain – it was the kind of howling that meant laughter, and the laughter wasn’t the kind that invited others to laugh but the kind that you ran from while your heart slammed against your ribs and your legs moved of their own volition.”

But let’s really talk about the weirdness of Smiths Hollow.

Ghost

Lauren’s best friend Miranda is less of a best friend and more of a bully who puts Lauren down, all while attempting to seduce boys so she can lose her virginity. An elderly woman, Mrs. Schneider, has a very unwarranted hatred for her Hispanic neighbors and thinks that they’re killing people. The mayor of the town has an oddly obsessive fascination with bringing a fair to the town, the police force seems fine with not investigating any crimes, an eighteen-year-old boy stares at Lauren a lot, and her four-year-old brother acts like more of an adult than I do.

And better yet, he seems to see and hear things no one else can.

“Everyone knows, but they don’t know they do.”

From the very beginning, the story grabs you into a feverish hunger to know what is causing these people to act so flippant and why girls are getting killed. It is a slow-burn mystery that I binged in a day, and one I was just wishing I could transport into. But the best aspect of all, is that I had zero idea where this story would lead. Even at the 75% mark, I had no idea who or what was behind these killings. Sure, we get a little morsel here and a crumb there to keep us feeling satisfied, but just enough to make us crave more.

ghost 3

My favorite part, by far, is when the “legend” is told. I LOVE that the story went into a fantastical direction, even if I wasn’t expecting it or seeing it as a plausible trope that could work with this plot. But alas, it made it SO much better! I love a legend and a dark fairy-tale even more, so naturally I was drooling at the mouth over the secrets and history that it revealed. And though I can’t give anything away without ruining the story, I will say that this trope being woven into the story was done flawlessly and didn’t take away from any of the eerie horror.

“And all the while, the hill and the house upon it watched.

And all the while, the tree waited for the signal from the hill.”

By far my favorite book that I have read in a while. It is PERFECT for those Autumn TBRs that so many of you readers have been crafting since January, and one that I HIGHLY recommend. For those who are afraid of Horror, don’t worry. It really isn’t as scary as my gifs and mood boards would lead you to believe. Christina Henry has a knack for setting a scene of foggy depths and bloody secrets, and that is exactly what The Ghost Tree is.

“And in time we’ll forget.”

4.5 Stars

 

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Book Promo · New Releases

Release Day: Dearest Clementine (Letters, 1) by Candace Robinson

Book Title: Dearest Clementine
~*~*~*~*~*~*~*~
Series: Letters, Book 1
~*~*~*~*~*~*~*~
Authors: Candace Robinson
~*~*~*~*~*~*~*~
~*~ Release Day ~*~

I have paired up with author Candace Robinson to being you the release of her newest short story collection of romantic tales, Dearest Clementine.

Is this cover stunning, or what?!

This collection of deeply dark and romantic tales is perfect for fans of epic, dark love. You will swoon for these monstrous characters!

~Click here to add it to your Goodreads shelf!~

~Click here to Order your copy!~

~Synopsis below~

Dearest Clementine

~*~*~*~*~*~*~*~
Book Synopsis
Clementine has been taken by a creature of darkness.

Dorin is a fiend in love who must find Clementine before losing her forever.

While on his desperate search, Dorin pens eight dark and romantic monstrous tales, written only for Clementine. Each story serves a purpose, and that is, do monsters have the ability to love, too?

Dearest Clementine is a short story collection filled with dark romantic tales.

~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~
Social Media Tags:
Instagram: @literarydust
Website: https://authorcandacerobinson.wordpress.com/
Twitter: @literarydust
Goodreads: CandaceRobinson
Book Reviews · Netgalley · New Releases

Book Review: I Killed Zoe Spanos by Kit Frick

I killed Zoe Spanos

Disclaimer: This book was sent to me by the publisher, Simon and Schuster Children’s Publishing,  via Netgalley for an honest review.

Genre: YA/Contemporary/Mystery/Thriller

Plot: What happened to Zoe won’t stay buried…

When Anna Cicconi arrives to the small Hamptons village of Herron Mills for a summer nanny gig, she has high hopes for a fresh start. What she finds instead is a community on edge after the disappearance of Zoe Spanos, a local girl who has been missing since New Year’s Eve. Anna bears an eerie resemblance to Zoe, and her mere presence in town stirs up still-raw feelings about the unsolved case. As Anna delves deeper into the mystery, stepping further and further into Zoe’s life, she becomes increasingly convinced that she and Zoe are connected–and that she knows what happened to her.

Two months later, Zoe’s body is found in a nearby lake, and Anna is charged with manslaughter. But Anna’s confession is riddled with holes, and Martina Green, teen host of the Missing Zoe podcast, isn’t satisfied. Did Anna really kill Zoe? And if not, can Martina’s podcast uncover the truth? 

Opinion:

“𝑾𝒉𝒂𝒕 𝐝𝐨 𝒚𝒐𝒖 𝒓𝒆𝒎𝒆𝒎𝒃𝒆𝒓, 𝑨𝒏𝒏𝒂?”

“𝑰 𝒓𝒆𝒎𝒆𝒎𝒃𝒆𝒓 𝒕𝒉𝒆 𝒘𝒂𝒕𝒆𝒓. 𝑰𝒕 𝒘𝒂𝒔 𝒈𝒓𝒂𝒚 𝒂𝒏𝒅 𝒅𝒖𝒍𝒍, 𝒍𝒊𝒌𝒆 𝒂𝒏 𝒐𝒍𝒅 𝒄𝒂𝒓 𝒘𝒊𝒕𝒉 𝒑𝒂𝒊𝒏𝒕 𝒘𝒐𝒓𝒏 𝒐𝒇𝒇. 𝑰 𝒓𝒆𝒎𝒆𝒎𝒃𝒆𝒓 𝒌𝒏𝒆𝒆𝒍𝒊𝒏𝒈 𝒐𝒏 𝒕𝒉𝒆 𝒃𝒂𝒏𝒌, 𝒔𝒕𝒂𝒓𝒊𝒏𝒈 𝒐𝒖𝒕 𝒂𝒄𝒓𝒐𝒔𝒔 𝒕𝒉𝒆 𝒔𝒖𝒓𝒇𝒂𝒄𝒆 𝒂𝒇𝒕𝒆𝒓 𝒔𝒉𝒆 𝒘𝒂𝒔 𝒅𝒐𝒘𝒏 𝒕𝒉𝒆𝒓𝒆. 𝑰 𝒓𝒆𝒎𝒆𝒎𝒃𝒆𝒓 𝒉𝒐𝒘 𝒄𝒐𝒍𝒅 𝒊𝒕 𝒘𝒂𝒔 𝒕𝒉𝒂𝒕 𝒏𝒊𝒈𝒉𝒕, 𝒉𝒐𝒘 𝒕𝒉𝒆 𝒘𝒊𝒏𝒅 𝒘𝒂𝒔 𝒔𝒉𝒂𝒓𝒑 𝒂𝒏𝒅 𝒘𝒆𝒕 𝒂𝒈𝒂𝒊𝒏𝒔𝒕 𝒎𝒚 𝒄𝒉𝒆𝒆𝒌𝒔.

𝑴𝒐𝒔𝒕 𝒐𝒇 𝒂𝒍𝒍, 𝑰 𝒓𝒆𝒎𝒆𝒎𝒃𝒆𝒓 𝒕𝒉𝒆 𝒈𝒖𝒊𝒍𝒕, 𝒉𝒐𝒘 𝒊𝒕 𝒄𝒓𝒖𝒔𝒉𝒆𝒅 𝒕𝒉𝒆 𝒂𝒊𝒓 𝒐𝒖𝒕 𝒐𝒇 𝒎𝒚 𝒍𝒖𝒏𝒈𝒔.”

Damn.

What a whirlwind of wild this little beauty turned out to be.

I Killed Zoe Spanos is told from two POVsAnna Cicconi, the main lead and prime suspect in the disappearance and murder of Zoe after a shocking confession, and Martina Green, a friend of Zoe’s younger sister with aspiring journalistic dreams and a promise to find out what really happened. The story flips between the present and two months prior, before Anna confesses to killing Zoe. It documents Anna’s time in the Hamptons working as a nanny for the summer for a prominent family, how she discovers and learns about the disappearance of Zoe Spanos, and how she eventually confesses to killing her.

Confused?

As you should be.

“𝑴𝒂𝒚𝒃𝒆 𝑰 𝒕𝒉𝒐𝒖𝒈𝒉𝒕 𝒊𝒕’𝒔 𝒘𝒉𝒂𝒕 𝒔𝒉𝒆 𝒘𝒐𝒖𝒍𝒅 𝒉𝒂𝒗𝒆 𝒘𝒂𝒏𝒕𝒆𝒅. 𝑴𝒂𝒚𝒃𝒆 𝑰 𝒘𝒂𝒔 𝒕𝒓𝒚𝒊𝒏𝒈 𝒕𝒐 𝒎𝒂𝒌𝒆 𝒕𝒉𝒊𝒏𝒈𝒔 𝒓𝒊𝒈𝒉𝒕.”

Anna is from Bay Ridge in Brooklyn where she has spent way too much time drinking heavily and taking party favors, in the hopes that her mother might pay attention to her. But Anna wants to change. She wants a break from the relentless fog and partying, so she takes a summer job in the Hamptons. But upon arriving to this new place, she learns of the odd disappearance of a girl named Zoe Spanos. On New Years Eve, Zoe vanished without a trace. With little clues as to what had happened to her, and even less motive for foul play.

But what Anna quickly learns upon arriving in the Hamptons, is that she bares a striking and eerie resemblance to Zoe. Some would say, an almost identical resemblance.

“𝑴𝒂𝒌𝒆 𝒕𝒉𝒊𝒏𝒈𝒔 𝒓𝒊𝒈𝒉𝒕?” 𝑻𝒉𝒆 𝒅𝒆𝒕𝒆𝒄𝒕𝒊𝒗𝒆 𝒓𝒆𝒑𝒆𝒂𝒕𝒔 𝑨𝒏𝒏𝒂’𝒔 𝒘𝒐𝒓𝒅𝒔 𝒃𝒂𝒄𝒌 𝒕𝒐 𝒉𝒆𝒓.

And as Anna begins to learn more about Zoe through locals who mistake her for the missing girl, friends and news articles, Anna begins to fall deeper and deeper into the intricacies and mysteries surrounding the case. And to a point where secrets, truth, lies and blurred lines begin to reveal themselves.

“𝑰𝒏 𝒔𝒐𝒎𝒆 𝒔𝒎𝒂𝒍𝒍 𝒘𝒂𝒚. 𝑨𝒇𝒕𝒆𝒓 𝒘𝒉𝒂𝒕 𝑰’𝒅 𝒅𝒐𝒏𝒆. 𝑰𝒕 𝒘𝒂𝒔 𝒂𝒏 𝒂𝒄𝒄𝒊𝒅𝒆𝒏𝒕, 𝒃𝒖𝒕…

𝑰 𝑲𝒊𝒍𝒍𝒆𝒅 𝒁𝒐𝒆 𝑺𝒑𝒂𝒏𝒐𝒔.”

This shit gets a liiiiiittle crazy.

From the beginning, Anna starts dropping little hints about her life back home. It consists of a lot of partying and activities that fuzzy up the mind, and gives the reader an overwhelming sense that she is running from something. Murder, you say?! Hmmm…maybe so. But what’s really interesting about Anna’s character is that you never really get a solid read on her. She’s a bit of an enigma shrouded in hazy darkness, and it seems as if only the top few layers of her are pulled away. She’s like an onion…you know the saying.

But what really started to intrigue me about Anna, besides her need to leave her past behaviors behind, was her constant forgetfulness.

Here is a girl who obviously isn’t a hardcore drug user, and sure…she seems to have a bit of a pull towards the bottles of alcohol that she notices, but nothing to suggest she has a serious problem with substances. Which is the only reason I was coming up with for why she would be forgetting things randomly, to the point where the little girl she was nannying was constantly reminding her of conversations and clearly exasperated for having to do so. Obviously there’s a rhyme and a reason for this odd behavior, but the way it is executed had me swooning.

Kit Frick was meant to write mystery thrillers. She knows how to create an eerie yet familiar personality in a character that feels authentic, but has ever so slightly had sprinkles of slight paranoia and hysteria woven in to make the reader question the sanity of the MC. And not only does she make the reader both trust and question Anna, but she adds in other multiple characters that feel innocent and guilty all at once.

“𝒀𝒐𝒖 𝒔𝒉𝒐𝒖𝒍𝒅 𝒈𝒐,” 𝑪𝒂𝒅𝒆𝒏 𝒔𝒂𝒚𝒔 𝒂𝒔 𝑰’𝒎 𝒂𝒍𝒓𝒆𝒂𝒅𝒚 𝒕𝒖𝒓𝒏𝒊𝒏𝒈 𝒕𝒐𝒘𝒂𝒓𝒅𝒔 𝒕𝒉𝒆 𝒅𝒐𝒐𝒓, 𝒓𝒆𝒂𝒅𝒚 𝒕𝒐 𝒍𝒆𝒂𝒗𝒆 𝑾𝒊𝒏𝒅𝒆𝒓𝒎𝒆𝒓𝒆 𝒂𝒏𝒅 𝒏𝒆𝒗𝒆𝒓 𝒓𝒆𝒕𝒖𝒓𝒏. 𝑴𝒂𝒚𝒃𝒆 𝑷𝒂𝒊𝒔𝒍𝒆𝒚 𝒘𝒂𝒔 𝒓𝒊𝒈𝒉𝒕. 𝑻𝒉𝒊𝒔 𝒑𝒍𝒂𝒄𝒆 𝐢𝐬 𝒉𝒂𝒖𝒏𝒕𝒆𝒅. 𝑵𝒐𝒕 𝒃𝒚 𝒕𝒉𝒆 𝒅𝒆𝒂𝒅, 𝒃𝒖𝒕 𝒃𝒚 𝒕𝒉𝒆 𝒇𝒍𝒊𝒏𝒕𝒚 𝒔𝒆𝒄𝒓𝒆𝒕𝒔 𝒐𝒇 𝒕𝒉𝒆 𝒍𝒊𝒗𝒊𝒏𝒈.”

I’ll be honest, I had no idea who in the hell the murderer was until the murderer was actually revealed. And even then, I didn’t believe it. There are SO MANY characters who are perfect suspects and have clear motives. SO MANY characters who act strangely and suspiciously. Who seem to always be covering things up or sweeping clues into a rolled up rug and throwing it into the ocean.

Its all.

Very.

Suspish.

But isn’t that what we love? To be hit at the knees and have a bag pulled over our heads? And in true murder mystery form, we get to play detective alongside the characters. Throughout the story the POV switches over to Martina Green and her podcasts episode transcripts where she is trying to find out what happened to Zoe. She discusses police reports, insider information from the family, possible suspects, and even points the finger at the boyfriend.

Because it’s always the boyfriend.

“𝑻𝒉𝒊𝒔 𝒃𝒐𝒚 𝒊𝒔 𝒂 𝒔𝒕𝒓𝒂𝒏𝒈𝒆𝒓, 𝒃𝒖𝒕 𝒇𝒐𝒓 𝒂 𝒔𝒍𝒊𝒑𝒑𝒆𝒓𝒚 𝒎𝒐𝒎𝒆𝒏𝒕 𝑰 𝒄𝒂𝒏 𝒔𝒆𝒆 𝒐𝒖𝒓 𝒍𝒊𝒗𝒆𝒔 𝒊𝒏𝒕𝒆𝒓𝒕𝒘𝒊𝒏𝒊𝒏𝒈, 𝒐𝒖𝒓 𝒅𝒂𝒓𝒌𝒆𝒔𝒕 𝒔𝒆𝒄𝒓𝒆𝒕𝒔 𝒂𝒏𝒅 𝒅𝒆𝒆𝒑𝒆𝒔𝒕 𝒇𝒆𝒂𝒓𝒔 𝒍𝒂𝒊𝒅 𝒃𝒂𝒓𝒆 𝒊𝒏 𝒕𝒉𝒆 𝒔𝒕𝒊𝒍𝒍 𝒏𝒊𝒈𝒉𝒕 𝒂𝒊𝒓.”

Though of course, nothing is ever as it seems, is it?

And without giving anything away, I just need to comment on the ending. Sure I was totally blindsided, but do I realllyyyyyy believe that ending?

Meh.

It’s questionable.

I felt like some conversations and relationships weren’t tied up. I wanted a convo between the murderer and…a prominent character to take place, but it didn’t. I wanted to see the TRUE feelings and thoughts of the murderer, but all I got was the confession and facts. But then again…that is the most authentic way to end a story like this, isn’t it? When do we ever really get the full details on murders and heinous crimes?

Maybe if it involves Ed Kemper, but he’s a unicorn.

Anyways.

This mystery kicked ass and finally got me out of my reading slump. It may be because there was murder in it, which seems to be my happy place lately (don’t you fucking judge me) and the only genre to keep me interested. But I will say, that little situation with Star and the conclusion of that was a bit…anti-climatic, no? Like realllyyy? That’s how that ties up? With a slapped on band-aid and a shrug?

Oh okay.

 

4 Stars

 

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Book Reviews · New Releases

Book Review: Girl, Serpent, Thorn by Melissa Bashardoust

Girl Serpent

Disclaimer: This book was sent to me by the publisher, Flatiron Books, for an honest review.

Genre: YA/Fantasy/Retelling

Plot: There was and there was not, as all stories begin, a princess cursed to be poisonous to the touch. But for Soraya, who has lived her life hidden away, apart from her family, safe only in her gardens, it’s not just a story.

As the day of her twin brother’s wedding approaches, Soraya must decide if she’s willing to step outside of the shadows for the first time. Below in the dungeon is a demon who holds knowledge that she craves, the answer to her freedom. And above is a young man who isn’t afraid of her, whose eyes linger not with fear, but with an understanding of who she is beneath the poison.

Soraya thought she knew her place in the world, but when her choices lead to consequences she never imagined, she begins to question who she is and who she is becoming…human or demon. Princess or monster.

Opinion:

“I am both the Sleeping Beauty and the enchanted castle; the princess drowses in the castle of flesh.”

-Angela Carter, Vampirella

Girl, Serpent, Thorn is a heavily Persian influenced mythology retelling with elements from classic fairy tales like “Sleeping Beauty“, “Rapunzel” and “Rappaccini’s Daughter.” It tells the story of a young Princess who was cursed with the touch of poison after her birth, and has since been hidden away in one of her family’s castles to keep her ailment secret. But when the royal family returns to her castle for the season, they bring with them a captured div – a demon who tried to kill the princess’s brother – whom they are keeping locked in the dungeons. For Princess Soraya, this is her only chance to find a way out of the curse that has caused her to live a life without human contact. But Soraya quickly learns that nothing is given for free, and consequences weigh heavily.

“There was and there was not.”

 

This unique retelling has been at the top of my TBR list for months. I originally found it on Goodreads while in one of a 3-hour book pit of browsing and knew it was going to be a top read of 2020. And though this story started out great, with rich culture spilling through the pages and a luscious world wrought with magic and danger, I felt myself begin to drift about 25% in.

It was an enjoyable read, but I was expecting an extra emotional punch and a little more excitement.

I hate to say it, but I was a bit bored for the middle and end of this book. I have been having trouble with YA Fantasy lately, so maybe it’s just me, but I just wasn’t as invested in the story as I wanted to be. I think a big part of this could be that the story went in a direction I wasn’t initially expecting it to. I guess I was expecting a “Throne of Glass” meets “Ash Princess“, and got more of a “Damsel” vibe that I wasn’t really feeling.

Soraya was an intriguing character at first, but her ‘doe in headlights‘ act started to get old pretty quickly. It bothered me how fine she was with her family practically shunning her and shoving her into a castle like Quasimodo, barely visiting her or even trying to communicate with her. I wanted her to show some semblance of anger or a grudge for her treatment, but it seemed innocence and being too trusting were her only major driving traits.

I also wanted her poisonous curse to be portrayed a bit darker.

Obviously this story is going to be written how the author wants and with their own preference to overall lightness or darkness in terms of overall theme, but I was hoping this was going to be a grittier and more raw tale. I wanted to really dive into the way this curse made Soraya feel. How the solitude and isolation has contributed to her personality and thoughts, and what flaws it causes her to develop. Yes, the girl is naive. But this book left her feeling like a Disney princess, rather than a relatable female who has been thrust into horrible circumstances.

The romance is a love triangle, and it was sweet and exciting in parts, but the original start between Soraya and Azad was…odd. I have a really hard time with insta-love and insta-intimacy. Upon their first actual meeting Azad basically professes his love and is shockingly not at all freaked out that one touch from Soraya will kill him instantly. He starts touching her hair (how did you know that her hair wasn’t also poisonous?!) and basically tells her how he’s always imaged being/rescuing/marrying her…? And Soraya instantly meets him halfway. What? This just felt so unbelievable for me.

I think the best part of this book is the world building and nod to Persian culture. Though this world isn’t as crazy outlandish and complex as some other YA Fantasies, it is perfectly detailed and the Arabian styled setting is described beautifully. Though of course more would have been so appreciated, the amount given is perfect for the reader to visualize and enjoy the tale.

By the end of Girl, Serpent, Thorn I was pleased with what happened, but I did find it a bit boring and somewhat predictable. I think I was just expecting a different story than what I got. It seems the majority of readers really loved this, so I would definitely read it and come to your own conclusion.

3 Stars

 

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Book Reviews · Netgalley · New Releases · Upcoming Releases

Book Review: The Anti-Virginity Pact by Katie Wismer

The AntiVirginity Pact

Disclaimer: This book was sent to me via Netgalley for an honest review. 

Genre: YA/Contemporary

Plot:

Preachers’ daughters aren’t supposed to be atheists. They’re also not supposed to make pacts to lose their virginity by the end of the year, but high school senior Meredith Beaumont is sick of letting other people tell her who to be.

Spending the last four years as Mute Mare, the girl so shy just thinking about boys could trigger panic attacks, Meredith knows exactly what it’s like to be invisible. But when a vindictive mean girl gets her manicured claws on the anti-virginity pact and spreads it around the school—with Mare’s signature at the bottom—Mare’s not so invisible anymore. She just wishes she was.

Now the girls mutter “slut” as they pass her in the hall, and the boys are lined up to help complete her checklist. When she meets a guy who knows nothing of the pact, their budding romance quickly transforms from a way to get her first time over with to a genuine connection. But when the pact threatens to destroy her new relationship and the fragile foundation of her seemingly perfect family, Mare has to decide what’s more important: fixing her reputation and pleasing her parents, or standing up for the person she wants to be.

Opinion:

“For the record, I don’t normally have a predisposition for making bad decisions.”

Cause girl,

yeah you do.

The Anti-Virginity Pact is a YA Contemporary about two senior girls who make a pact to lose their virginity before the end of high school. As the closet-atheist daughter of a preacher, Meredith’s anxiety has always made her shy and kept her in the shadows. Wanting to finally gain experiences, she and her best friend sign a contract to lose their virginity. But when the pact gets leaked and the entire school sees that Mute Mare signed it, she is suddenly descended upon by every guy in school who wants a turn.

This had so much potential to be an emotional, gut-wrenching, femi-empowering YA about familial expectations and self-exploration. It could have showcased the overwhelming guilt and obligation we feel to please our parents, and how our own wants and desires can be obliterated in doing so. Or put a blinding spotlight on rape culture, bullying and the endless double standards that exist in our society. Or the crippling fear and physical ailments that come with extreme anxiety. The panic, shortness of breath, feelings of drowning or being buried alive. The sheer peril that one experiences.

It had all the potential in the world to be deep, beautiful, raw and authentic.

But instead of my heartstrings being yanked and my tear ducts overflowing, I felt

not much of anything.

The Anti-Virginity Pact has a fairly slow start that continues until about halfway, where it switches gears drastically and becomes a book with zero direction. The first 55% actually wasn’t bad, even though the banter between Meredith and her best friend was a little eye-roll inducing, I was enjoying the slow buildup.

Meredith is a senior in high school and the daughter of a preacher. But for years, Mare had began rejecting the idea of religion and now considers herself an atheist, unbeknownst to her family. Due to growing up in a highly religious family and also having severe anxiety, Mare has always kept to herself – blending into the wallpaper and speaking to few people. So when her best friend Jo suggests a pact to lose their virginity by the end of high school, as a means to experience everything they missed out on (sex, parties, sports) she signs her name on the dotted line. And then the girls go about picking the lucky guys, and of course…

one of them HAS to be a teacher.

Honestly, this angle didn’t bother me that much, probably because of the countless YA Thrillers I’ve binged. But the execution of this trope was odd. It’s a lot of Jo swooning over their teacher and expressing plans on how to seduce him, Mare telling Jo it’s a horrible idea, and then Jo stomping her foot because Mare isn’t jumping for joy and celebrating her wanting to SEDUCE A TEACHER.

But honestly, this and Mare’s anxiety are about the most and only emotional follow-through in this entire book. Every time a BIG moment happened (because yeah, there’s a lot of them shoved in here) Mare and Jo just brush over it and move onto the next tragedy. Moments that would cause a person to break down in sobs, scream at the sky and start shattering things are let go with a “this is shitty or this sucks”, and thrown away. And it’s not like they are being brave or strong and can just handle what’s being thrown at them.

It’s that all that happens in this story are “hot topic explosions.

One explosion detonates, and before it can be dealt with or dissected, three more explosions go off, making it a ticking time-bomb of craziness that keeps falling from the sky in the most unrealistic way possible.

In a Middle Grade book, the story is set up to have the “and then, and then, and then” format to keep the young reader’s attention. That is exactly how this book is formatted. It’s a series of dramatic and controversial topics smashed together, without proper time and care being spent on each tragedy. Religion, bullying, sexuality, rape, anxiety, animal abuse, religious camps. It’s all here. But instead of each issue adding to the story or making an impact on the reader, it made it inauthentic and ridiculous. As if any detailed description and emotional focus would deter the author from checking off the mention of these “hot topic” issues.

I just couldn’t handle how Mare could experience crippling anxiety, and it being described in such a relatable and clear way, but then not having any strong reaction to the BIG situations that happen at the party, with Sam or with her parents. Mare’s life literally implodes, and instead of there being even a SINGLE moment of her having a reaction to it, her character is more concerned with talking to Sam about ignoring his phone calls.

Am I in 7th grade again?

But the WORST moment for me in this story, was the allude to a rape that…wasn’t a rape? Or…was it? I’m still not even sure. But the fact that I don’t even know, leaves such a bad taste in my mouth for how this was even done.

Firstly, it was ONE paragraph. And it wasn’t even a long paragraph. But I reread it about 15 times trying to figure out what actually happened, and honestly, I still have no idea. And with how the incident is then brought up, with Mare’s reaction to it being the same as if she was talking about what kind of sandwich she would like to have for lunch…well.

I just don’t even have words.

But just like every other moment of trauma in this story, the main character brushes it under the rug because I guess she’s just a robot.

Bottom line, don’t waste your time with this

1.5 Stars

 

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